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・ Carmeli Brigade
・ Carmelina
・ Carmelina Cruz Silva
・ Carmelina Delfin
・ Carmelina Moscato
・ Carmelina Soto
・ Carmelino Alvendia, Sr.
・ Carmelit
・ Carmelita
・ Carmelita (baseball)
・ Carmelita (name)
・ Carmelita (song)
・ Carmelita Airport
・ Carmelita Correa
・ Carmelita Geraghty
Carmelita González
・ Carmelita Hinton
・ Carmelita Jeter
・ Carmelita Little Turtle
・ Carmelita Maracci
・ Carmelita Pope
・ Carmelita Tropicana
・ Carmelita Vigil-Schimmenti
・ Carmelita, Belize
・ Carmelita, California
・ Carmelite Church, Lviv
・ Carmelite Church, Przemyśl
・ Carmelite Church, Warsaw
・ Carmelite Daughters of the Divine Heart of Jesus
・ Carmelite Friary, King's Lynn


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Carmelita González : ウィキペディア英語版
Carmelita González

Carmelita González (July 11, 1928 – April 30, 2010) was a Mexican lead actress known for her film roles during the Golden Age of Mexican cinema.〔〔〔〔 She appeared in nearly 100 Mexican films during her career, opposite such actors as Mario Moreno Cantinflas, Pedro Infante and Jorge Negrete.〔 González began her career by earning $21 but went on to win an Ariel Best Supporting Actress award for her 1984 performance in Luis Mandoki's ''Motel''.〔〔〔
==Golden age of Mexican cinema==
Carmelita González made her debut in 1945 with ''Camino de Sacramento'' which starred Negrete.〔〔〔(【引用サイトリンク】title=Camino de Sacramento (1945) )〕 Because she was uncredited, González only earned $21.〔〔〔 She earned her first film credit as Carmelita González in 1946 alongside comedian Cantinflas in ''Soy un prófugo''. Active throughout the Golden Age of Mexican cinema, González's film credits included 1952's ''Dos tipos de cuidado'', co-starring Jorge Negrete and Pedro Infante.〔 Her role as Rosario, a rape victim, in ''Dos tipos de cuidado'' garnered a Diosa de Plata (Silver Goddess Award) and considered a major performance.〔〔 González would appear uncredited with Mario Moreno in 1956's ''Around the World in 80 Days''. Her contemporary actresses were Charito Granados, Esther Fernández and Marga López.〔 Appearing during the Golden Age of Mexican cinema, these contemporaries like González were atypical heroines ahead of their time.〔〔
In 1952, González starred in ''Huracán Ramírez'', which was a black-and-white movie, in the then emerging genre of lucha libre masked wrestler films.〔〔 During the 1940s, a series of movies beginning with El Santo and El Hijo del Santo in 1942 popularized lucha libre, literally free-style fighting, masked wrestlers. González would go on to star in the 1962 ''El Misterio de Huracán Ramírez'', 1966 ''El Hijo de Huracán Ramírez'' and 1967 ''La venganza de Huracán Ramirez'' remakes.〔(【引用サイトリンク】title=El Misterio de Huracán Ramírez (1962) )〕〔(【引用サイトリンク】title=El Hijo de Huracán Ramírez (1966) )〕〔(【引用サイトリンク】title=La venganza de Huracán Ramirez (1967) )

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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